The performance consisted of a series of modules written for movement, glissentar and percussions. It was an exploration of possibilities that joins the three components in time and space.
Following βEntre Tempsβ, the performance created in 2009, the choreographer/dancer collaborated one more time with the percussionist Khaled Yassine to re-question the intersection of movement and rhythm as organic mediums. However, in this performance a new melodic element was added to the mold: the Glissentar of Raed Al Khazen.
