8pm: Conference with Christian Merlhiot
Language: French<\/p>\n
Christian Merlhiot, filmmaker, co-director of the \u2018Pavillon Neuflize OBC \u2013 Creative Laboratory\u2019 at the Palais de Tokyo in Paris, and founder of the collective pointligneplan. He will step in on questions related to new issues in the field of the moving image, as well as artists\u2019 accompaniment, and problems of presenting artworks.
\u2018\u2018In relation with two exhibitions held in Paris, a recent one entitled \u00abThis & Here\u00bb (\u00ab\u00c7a & L\u00e0\u00bb) gathering 75 artists from the Pavillon Neuflize OBC, and the other one starting in June, \u00abThe Making of Films\u00bb (\u00abLa Fabrique des films\u00bb) including works by 18 filmmakers members of pointligneplan, we will question some tangible shiftings related to visibility of contemporary works and images\u2019\u2019. C. Merlhiot<\/p>\n
10pm: Hypercinema<\/p>\n
Anne Katrine Senstad: The Locker Plant Projections | exp. video | hdv | color | 00:08:21 | Norway \/ USA | 2011 [NO DIALOGUE]
Fred WORDEN: Possessed | exp. film | hdv | black and white | 00:09:20 | USA | 2010 [NO DIALOGUE]
Georg TILLER: Vargtimmen – After a Scene by Ingmar Bergman | exp. film | 16mm, hdcam | black and white | 00:06:20 | Austria | 2010 [NO DIALOGUE]
Volker SCHREINER: Pair of | exp. film | betaSP | black and white | 00:04:38 | Germany | 2011 [NO DIALOGUE]
Eli CORTI\u00d1AS HIDALGO: Confessions with an open curtain | video | hdv | color | 00:05:25 | Spain \/ Germany | 2011 [LIMITED DIALOGUE, ENGLISH]
Hisham BIZRI: Asmahan | exp. film | 35mm | black and white | 00:21:20 | Lebanon | 2005 [ARABIC]
Soren Thilo FUNDER: Disastrous Dialogue | video | hdv | color | 00:10:00 | Denmark \/ Egypt | 2011 [ARABIC, ENGLISH SUBTITLES]
Raed YASSIN: The New Film | video | 00:12:00 | Lebanon | 2008 [ARABIC, ENGLISH SUBTITLES]
Anna OGDEN SMITH: The Dream | video | vhs, dv | color | 00:02:10 | Lebanon | 1989-2008, and: The Lie | 00:02:40 | 1994-2008 [ARABIC, ENGLISH SUBTITLES]<\/p>\n
This session presents different contemporary uses of film footage and film references. Reinterpreted and reconstructed materials, both a reflection on the cinema and a search for visual artists. Anne Katrine Senstad is projecting colored light on the building of the Donal Judd museum in Marfa, Texas. Fred Worden explores cinematic movement and the position of the viewer\u2019s gaze, from a scene from the film \u00abPossessed\u00bb by Clarence Brown in 1931. Georg Tiller recreates shot by shot a scene of Bergman\u2019s film, \u00abHour of the Wolf\u00bb. Volker Schreiner compiles objects and words in pairs. Eli Corti\u00f1as Hidalgo deals with the construction of female identity by highlighting one of the classic scenic elements. Hisham Bizri proposes a visual meditation from film footages of the Egyptian-Syrian singer Asmahan. Soren Thilo Funder makes Egyptian actors play dialogues and scenes from Hollywood disaster movie. Raed Yassin indirectly draws a portrait of the ousted President Hosni Mubarak using images of Egyptian cinema of the past thirty years. In The Dream and The Lie, Anna Ogden Smith looks at how VHS archives operate as a filtering process of the memory.<\/p>\n
A drink will be served between the sessions \/ Un verre sera servi entre les s\u00e9ances<\/p>\n","protected":false},"excerpt":{"rendered":"
8pm: Conference with Christian Merlhiot
\nLanguage: French<\/p>\n
Christian Merlhiot, filmmaker, co-director of the \u2018Pavillon Neuflize OBC \u2013 Creative Laboratory\u2019 at the Palais de Tokyo in Paris, and founder of the collective pointligneplan.<\/p>\n","protected":false},"featured_media":359235,"template":"","tags":[],"class_list":["post-15397","directory","type-directory","status-publish","has-post-thumbnail","hentry","category-seminars-and-lectures"],"yoast_head":"\n