Just as dance has widely entered museums spaces and agendas, to fulfill either experimental or spectacular performative formats, it has also merged with the film and video mediums into new genres, identified with recently coined terms such as Screendance or Dance with camera. La Ribot\u2019s work rather defies categories. In choreographic pieces such as her long-term Piezas Distinguidas (1993-2000), or in installations like Walk the Chair (2010), her multifold practice passes through objects and their manipulation to address and provoke the very idea of dance. <\/p>\n
Video, thereby, takes part in a complex experiment when it comes to La Ribot\u2019s work. Within her concept of corps-op\u00e9rateur, far from serving as an eye-witness, the camera becomes a highly unstable component in the performance, both object and gaze. <\/p>\n
While the demystification of the (female) body is at the core of her work, her corporal approach to image-making also reaches a demystification of the image.
The lecture will include various excerpts of La Ribot and other artists\u2019 works.<\/p>\n
About the lecturer<\/b>
Marcella Lista is an art historian based in Paris, currently curator for contemporary art projects at the Mus\u00e9e du Louvre.<\/p>\n","protected":false},"excerpt":{"rendered":"
Just as dance has widely entered museums spaces and agendas, to fulfill either experimental or spectacular performative formats, it has also merged with the film and video mediums into new genres, identified with recently coined terms such as Screendance or Dance with camera.<\/p>\n","protected":false},"featured_media":567631,"template":"","tags":[],"class_list":["post-41369","directory","type-directory","status-publish","has-post-thumbnail","hentry","category-seminars-and-lectures"],"yoast_head":"\n