{"id":29016,"date":"2013-10-22T00:00:00","date_gmt":"2013-10-22T00:00:00","guid":{"rendered":"https:\/\/www.beirut.com\/29016\/palestinian-artist-okydoky-returns-with-boombox"},"modified":"2023-08-30T07:13:50","modified_gmt":"2023-08-30T07:13:50","slug":"palestinian-artist-okydoky-returns-with-boombox","status":"publish","type":"post","link":"https:\/\/www.beirut.com\/en\/29016\/palestinian-artist-okydoky-returns-with-boombox\/","title":{"rendered":"Palestinian Artist OkyDoky Returns with &#8216;Boombox&#8217;"},"content":{"rendered":"<p>Faysal Bibi, better known as <a href=\"https:\/\/www.facebook.com\/okydokyjams\" target=\"_new\" rel=\"noopener\">OkyDoky<\/a>, has been a mainstay of Beirut\u2019s dynamic electronic music community since 2008, earning himself a reputation for his vigorous live performances and unusual sound. It isn&#8217;t every night you get to hear electronic beats interspersed with vocoder-vocals and schizophrenic bursts of &#8216;Amen&#8217; breaks and heavy metal. Teaming up with fellow local electronic-powerhouse Radio KVM, the duo held audiences captive for hours as they played off one another with nonstop sets, usually at Hamra pub Dany&#8217;s, before OkyDoky booked it to New York in 2011.<\/p>\n<p>  Being abroad, he went under the radar musically for some time, with occasional uploads of single tracks and small bundles every now and then, only to resurface with a boom. Earlier this month, OkyDoky finally released his debut solo album <a href=\"https:\/\/okydoky.bandcamp.com\/album\/boombox\" target=\"_new\" rel=\"noopener\"><i>Boommbox<\/i><\/a>.<\/p>\n<p>  <img decoding=\"async\" src=\"https:\/\/www.beirut.com\/wp-content\/uploads\/2023\/04\/29016.png\"><br \/>  (Photo via <a href=\"https:\/\/okydoky.bandcamp.com\/album\/boombox\" target=\"_new\" rel=\"noopener\">Bandcamp<\/a>)<\/p>\n<p>  <i>Boombox<\/i> sees OkyDoky swapping his frantic and frenzied electronic style for a more unlikely (of him that is) old school electro-hip hop sound.  According to the man himself, the album\u2019s main focus was drums and synths, constructing drum kits from vinyl samples, hunting for vintage drum machine sounds, and utilizing analog synths and analog synth samples to achieve a sound that was between the refined and rudimentary. <\/p>\n<p>  The album boasts a healthy mix of hip hop and electronica, and it\u2019s nice to hear a natural element integrated with the electronic components, which is something that OkyDoky actively sought, as he described this long-missing aspect on his Bandcamp page: \u201csome degree of rawness, imperfection, improv i.e. some human core, inherently imperfect and unpredictable even within the cloak of a <a href=\"https:\/\/en.wikipedia.org\/wiki\/Digital_audio_workstation\" target=\"_new\" rel=\"noopener\">digital audio workstation<\/a> (DAW) and a rhythmic beat.\u201d<\/p>\n<p>  While the drum-creation process was firmly rooted in old school methods, OkyDoky was more lenient with the synths. A lot of analog synths, or samples of them, were utilized alongside contemporary sounds. This creates another interesting juxtaposition: one of primitive electronic sounds and complex modern ones, which facilitated the creation of super-pumped up beats and ambient eerie ones too.<\/p>\n<p>  One of my favorite features is this \u201cfaux-scratching\u201d sound heard, for instance, in the end of the opening track, <i>Pocket Knife<\/i>. It\u2019s clearly not conventional scratching, but more like a custom setup to emulate it, where, excuse the technical jargon, the sound is being selectively gated (simulating a crossfader\u2019s action) while its pitch is rapidly altered (simulating the back and forth motion of a vinyl record). In a genre where everyone uses the same software and plug-ins, it\u2019s these kinds of little tricks that make certain electronic musicians stand out above the rest.<\/p>\n<p>  <img decoding=\"async\" src=\"https:\/\/img1.beirut.com\/GetImage\/oky\/article\/29016\/500x500\"><br \/>  (Photo via <a href=\"https:\/\/www.facebook.com\/photo.php?fbid=458553737673&#038;set=a.423270437673.218591.195566502673&#038;type=3&#038;theater\" target=\"_new\" rel=\"noopener\">Facebook<\/a>)<\/p>\n<p>  Just when you think the album\u2019s over, you&#8217;re treated to six remixes. First up, there\u2019s French artist The DVJ M Doussare\u2019s jazzy breakcore interpretation of <i>Afrit<\/i>, followed by a more subtle and textured version of <i>Lake Vostok<\/i> by longtime OkyDoky partner in crime, Radio KVM. <\/p>\n<p>  <i>Queen of the Locusts<\/i> was remixed not once, but twice. Osloob, of the Palestinian hip hop crew Katibe 5, takes it on an experimental hip hop trip, while Liliane Chlela\u2019s ethereal and cinematic rendition of it, though impressive, sort of kills the momentum; I would have closed the album with it. <\/p>\n<p>  Jad Atoui went on a real tangent with his take on <i>No Emperor<\/i>, as I was expecting his usual moody atmospheric sound, only to be surprised by a light and upbeat hip hoppier version of the track. Finally, another French contributor, Reznyck, wraps it all up with his brutal version of <i>Pocket Knife<\/i>.<\/p>\n<p>  <i>Boombox<\/i> was released under a Creative Commons license, so be sure to stream, download, and share it on <a href=\"https:\/\/okydoky.bandcamp.com\/album\/boombox\" target=\"_new\" rel=\"noopener\">Bandcamp<\/a> or <a href=\"https:\/\/soundcloud.com\/okydoky\" target=\"_new\" rel=\"noopener\">Soundcloud<\/a> or anywhere else, and follow OkyDoky on <a href=\"https:\/\/www.facebook.com\/okydokyjams\" target=\"_new\" rel=\"noopener\">Facebook<\/a>.    <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Faysal Bibi, better known as OkyDoky, has been a mainstay of Beirut\u2019s dynamic electronic music community since 2008, earning himself a reputation for his vigorous live performances and unusual sound.<\/p>\n","protected":false},"author":0,"featured_media":448255,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ai_generated_summary":"","_preview_accessed":0,"footnotes":""},"tags":[],"media-embed-type":[],"class_list":["post-29016","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"authorship":[7],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.8 (Yoast SEO v27.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Palestinian Artist OkyDoky Returns with &#039;Boombox&#039;<\/title>\n<meta name=\"description\" content=\"Faysal Bibi, better known as OkyDoky, has been a mainstay of Beirut\u2019s dynamic electronic music community since 2008, earning himself a reputation for his vigorous live performances and unusual sound.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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